Previous Next


From the mystery of design to paper architecture, the impulses that feed on the unexpected, the liquid state, the sublimated place of imagining are explored. In the interval between despair and convenience, everything is possible: to balanceor discover or simply abandon it — to draw for nothing.

In the multiple universe of architectural syntax, out of fragmented signs, an edifying narrative is thusborn: an unbuilt architectural thought that highlights resisting (peripheral and marginal)models — provocations that nourissh creative thinking and highlight the usefulness of a usless gesture.

To draw is then to participate in an unconscious process tha apropriates order to continualy vindicate a singular way of seeing and thinking experienced as a continuum between doubt and certainty, gaze and gesture — a process this exibition invites to seek and discover.