Faculty

The Directing - Cinema and Television Master's faculty includes, besides its teachers, a significant set of invited lectures of recognized experience and academic and/or professional merit within contemporary art which, in 2017-18, includes the following artists, curators, critics and researchers:

ALBERTO SAMANIEGO – AMARANTE ABRAMOVICI – ANA RITO – ANDRÉ ALVES – ANTÓNIO PRETO – CATARINA ROSENDO – CELESTE CERQUEIRA – CRISTINA SUSIGAN – DANIEL MOREIRA E RITA CASTRO NEVES – DANIELA ANGELUCCI – DENISE POLLINI – DIOGO TUDELA – GRACE SHWIDNT – JOANA CUNHA LEAL – JOANA MACHADO – JOÃO FONTE SANTA – JOÃO TABARRA – JOSÉ MAÇÃS DE CARVALHO – JOSÉ MAIA – LOURENÇO SANDOVAL – LUÍS LIMA – LUÍSA PINTO – MARCUS STEINWEG – MARIANA PINTO DOS SANTOS – NAYA YAKOUMAKI – NUNO MALHEIRO - NUNO RAMALHO – PAULO ALEXANDRE CASTRO – PEDRO FARO – REGINA GUIMARÃES – RITA ROQUE – SÉRGIO LEITÃO – SILVESTRE PESTANA – TALES FREY – TAMARA BRINGAS – TIAGO AFONSO SARA & ANDRÉ


Full Name
Amarante Abramovici

Professional Name
Amarante Abramovici

Department
Theater and Cinema

Category
Invited Auxiliary Teacher

Email
amarante.abramovici@esap.pt

ORCID
.

Webpages(s)

Curriculum DeGois
None

Curriculum

Filmmaker graduated from La Femis, Paris. Bachelor by the University of Paris III, Sorbonne. Was selected for Cannes Film Festival - Cinéfondation section, with Gaia (2004) and Cinema du Réel, with Circa Me (2002). Made films in collaboration, such as A Cultura do Capital (2003) or Traveling 70'-76 '(2007) and the video installation A Colher (2010), presented in the context of the projects All my independent women and A Question of Gender. Was assistant of Paulo Rocha, Ricardo Leite and Saguenail and assistant assembly of Boris Lehman. Also collaborated with creators from several areas: Ana Deus, Balla Prop, Yasmine Hugonnet, Alejandra Sol, João Costa, Igor Gandra, Joana Providência, João Alves, PAM, Ângelo de Sousa and Dan Graham (for a film presented at the Bienal de S. Paulo). Between 2005 and 2013 collaborated with  Serralves Museum in the assembly of audiovisual works and production of cinema cycles. Program sessions and cycles of Cinema in alternative spaces of OPorto. Taught Cinema and Video at FEUP and at  Lusófona University of OPorto. Doctorate (scholarship FCT) with investigation in the amateur cinema produced during the Portuguese revolution. Participated in Estado Novo and the Image, parallel to the exhibition Beyond the Ucronia - unpublished stories of the 25 of April, org. Museum of Neo-Realism and Révolution et cinéma: l'exemple portugais, Institut National d'Histoire de l'Art, Paris. Participated in 2014 in the project Some reasons for a non-demissionary art (cur Eduarda Neves) and in 2016-17 in the series of exhibitions Correspondences (Cur Eduarda Neves).exhibitions Correspondências (cur. Eduarda Neves).

Full Name
António Manuel Dias Costa Valente

Professional Name
António Costa Valente

Department
Theater and Cinema

Category
Auxiliary Teacher

Acdemic Roles
Director of Theater and Cinema Department

Email
antonio.valente@esap.pt

ORCID
.

Webpages(s)

Curriculum DeGois
5097703197177135

Curriculum

Doctorate in cinema, it is in this area that he divides his activity of teaching, research, authorship and production.
Author of the book "Cinema sem Actores", he has headed the scientific conference AVANCA | CINEMA since 2010 and coordinates the "Engº Prize. Fernando Gonçalves Lavrador ", annually attributed to the best international investigation in the field of cinema.
As a director and producer, he has been honored with more than three hundred awards at festivals on five continents. He is the producer of the most awarded Portuguese film ever.
He produced and co-directed the first feature film of the Portuguese animated film "To the Top of the World", a distinguished work in the USA and Canada.
He has been directing the AVANCA film festival since 1997, but also the "Cine-Clube de Avanca", the "Portuguese Federation of  Film Societies" and integrates the directorates of the "Portuguese Cinema Academy", "APCA - Cinema and Audiovisual Producers Association" , among other entities of the sector.
He is the national coordinator of "INPUT-TV", an international conference that annually brings together public televisions from around the world on different continents.
It develops continuous activity in cultural programming and artistic creation.

Full Name
Isolino Alves de Sousa

Professional Name
Isolino Sousa

Department
Theater and Cinema

Category
Assistant

Acdemic Roles
Member of the General Council

Email
Isolino.sousa@rtp.pt

ORCID
.

Webpages(s)

Curriculum DeGois
None

Curriculum

Isolino Alves de Sousa, Communication Sciences graduate at the Fernando Pessoa University, advanced studies diploma at the University of Santiago de Compostela, master's degree from the University of Minho and, at the moment, a PhD in Media Art. More than 30 years of television work, as a producer, director and programmer at RTP, he is still involved in several television projects in Portugal in various functions. I have been teaching since 1999 in several higher schools and since 2004 I have lectured at ESAP, accumulating, as of 2010, the Director of the ESAP Cinema Course. In this role we have participated in national and international festivals, we have developed other activities that aim to promote the cinema, and promote ESAP and its students.

Full Name
Jorge Miguel Santos

Professional Name
Miguel Santos

Department
Theater and Cinema

Category
Assistant

Email
miguel.santos@esap.pt

ORCID
.

Webpages(s)

Curriculum DeGois
None

Full Name
Liliana Cristina Vidais Rosa

Professional Name
Liliana Rosa

Department
Theater and Cinema

Category
Invited Auxiliary Teacher

Email
liliana.rosa@esap.pt

ORCID
0000-0002-3447-9262

Webpages(s)

Curriculum DeGois
9067048870281639

Curriculum

Liliana Rosa. PhD (2017) and MA (2009) in Communication Sciences, specializing in Cinema and Television, at Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (NOVA FCSH). BA (2007) in Multimedia Design, at Escola Superior de Artes e Design de Caldas da Rainha (ESAD CR). Professor at Escola Superior Artística do Porto (ESAP). Integrated researcher of the Nova Institute of Philosophy (IFILNova) / Laboratory of Cinema and Philosophy (CineLab), at Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (NOVA FCSH). Member of the Organizing Committee of the International Meetings: Cinema and other Arts; Cinema, Philosophy and Children's World. Member of the editorial team of artciencia.com, Revista de Arte, Ciência e Comunicação.

Full Name
Luís Manuel Vieira Campos

Professional Name
Luís Vieira Campos

Department
Theater and Cinema

Category
Invited Assistant

Email
geral@esap.pt

ORCID
--

Webpages(s)

Curriculum DeGois
None

Curriculum

He has a Bachelor's degree in Cine-Vídeo and a Master's degree in Film and Television Direction, both by ESAP-Escola Superior Artística do Porto. He works in film and video since 1990. He had collaborated with Madragoa Filmes, RTP- Radiotelevisão Portuguesa, Filmógrafo, LAP Filmes, Hélastre and Papaveronoir. He belonged to the staff of Alfândega-Filmes and Filmes Liberdade, He directed aDeus (fiction/ 35 mm/ 10’/ b&w / 2000), Quando eu Morrer (fiction/ DVCAM/ 11’/ color / 2006), Dia de Visita (fiction/ HD/ 14’/ b&w/ 2011), Bicicleta (fiction/ DCP 2K/ 45’/ b&w/ 2014), O Sapato (fiction/ DCP 2K/ 5’/ color/ 2017) and Geni (doc/ DCP 2K/ 51’/ color / 2018).

Full Name
Manuel Fernando da Costa e Silva

Professional Name
M.F. Costa e Silva

Department
Theater and Cinema

Category
Invited Assistant

Research Units
CEAA | Arnaldo Araújo Research Center: Cinema Studies Group - Researcher

Email
mfcostasilva@gmail.com

ORCID
.

Webpages(s)

Curriculum DeGois
None

Curriculum

M. F. Costa e Silva. Bachelor in Cine-Vídeo (ESAP, 1984) and Graduated in Multimedia Educational Communication (Polytechnic of Santarém, 1992). He has taught at ESAP since 1988. He was Academic Director and coordinator of the Cinema and Audiovisual Course at ESAP; is a film director, having written and performed the following films: "The Return of the Man Who Did not Like to Leave Home" (1996), "The First Time" (2002), "A Time Reencontrado" (2004), "Panoias "(2007)," 1111 "(2012) and" Dying of Love "(2016). He represented Portugal at several film festivals in Europe and Asia. He was a jury of Film Festivals in Portugal, Spain, Italy, Ukraine, Russia, Romania. He has conducted workshops and Masterclass in Spain (Ourense), Slovenia (Maribor), Estonia (Tallinn), Lithuania (Vilnius), Bulgaria (Sofia), Russia (Ekaterinburg) Cuba (San Antonio de los Baños) and Japan (Tokyo). Since 2010 he has been a judge of the Institute of Cinema and Audiovisual (ICA). He currently holds the position of President of the Board of Directors of CESAP - Cooperativa de Ensino Superior Artistico do Porto.

Full Name
Maria Eduarda Dias Neves

Professional Name
Eduarda Neves

Department
Theory and History

Category
Auxiliary Teacher

Acdemic Roles
Academic Director of ESAP | Member of the Scientific Council

Research Units
Arnaldo Araújo Studies Center (CEAA): Member of the Board | Research Group Critical Art and Studies - Responsible Researcher

Current Projects
Correspondence - Research, Exposition and Curatorial Project in the scope of research

Email
eduardadn@gmail.com

ORCID
0000-0003-1906-1957

Webpages(s)
https://esap-porto.academia.edu/EduardaNeves
https://www.facebook.com/profile.php?id=100011446524503
http://correspondencias.weebly.com/
http://pdgartes.weebly.com/
https://semimagomundi.weebly.com/project.html
https://hors-serie.weebly.com/

Curriculum DeGois
4651701144190331

Curriculum

Degree in Philosophy and PhD in Aesthetics. Assistant Professor, ESAP. Principal Investigator of the ​​​Art and Critical Studies Research Group, ​CEAA, since 2013.Independent Curator. Her research and curatorial activity crosses the fields of art, philosophy and politics. Conceived the following projects: A FEW REASONS FOR A NON-DISMISSIVE ART[2014-2015] and CORRESPONDENCES [2016-17], presented in Portugal, Spain, Germany and Malta, with the support of DGARTES / Portuguese Ministry of Culture.  Curator of element EARTH in the exhibition project QUATRO ELEMENTOS  / FOUR ELEMENTS, Galeria Municipal, Oporto [2017]. Recent curatorial projects: FAULT LINE(Casa dos Crivos and Convento de São Francisco) and A ALGUNS PASSOS COMO SE ESTIVESSE MUITO LONGE, ENCONTROS DA IMAGEM, Braga and Oporto [2017]; A.A.R., Espaço Mira (Oporto) and HORS-SÉRIE, in EX14 (Dresden), IZOLYATSIA (Kiev), KUB (Leipzig), CENTERCOURT (Munich), LLLLLL (Vienna), FOLIE SANDRIN and VILLA BELLEVILLE (Paris) [2018]. SEM IMAGO MUNDI, ANTES UM DESVIO ALEATÓRIO, (Oporto),[2018]. Last book published: O AUTO_RETRATO. FOTOGRAFIA E SUBJECTIVAÇÃO[SELF-PORTRAIT. PHOTOGRAPHY AND SUBJECTIVATION]. Lisbon: Ed. Palimpsesto | CEAA, 2016 [short listed at the PEN CLUB prize, in the Essay category, 2017]. Preparing the book BESTIÁRIOS. ENSAIOS SOBRE ARTE CONTEMPORÂNEA [BESTIARIES. ESSAYS ON CONTEMPORARY ART]. She is currently the director of ESAP – Oporto Art School.

Full Name
Nelson Agostinho Marques Araújo

Professional Name
Nelson Araújo

Department
Theater and Cinema

Category
Auxiliary Teacher

Acdemic Roles
Director of the Cinema and Audiovisual Degree

Research Units
CEAA | Arnaldo Araújo Research Center: Member of the Scientific Council | Film Studies Group - Integrated Researcher

Current Projects
ESAP/2017-18/P40/DTC-CEAA – Critical History of Portuguese Cinema

Email
nelson.araujo@esap.pt

ORCID
0000-0002-2074-0175

Webpages(s)
https://esap-porto.academia.edu/NelsonAra%C3%BAjo

Curriculum DeGois
9317991515011493

Curriculum

Graduated in cinema at Escola Superior Artística do Porto (2004). He obtained a Diploma in Advanced Studies (2008) at the Faculty of Fine Arts of the University of Vigo. Master in Artistic Studies (2010) by the Faculty of Fine Arts of Porto and PhD by the Faculty of Fine Arts of the University of Vigo (2015). He has published several articles in magazines dedicated to film studies, having coordinated the book: Manoel de Oliveira - Aesthetic Analysis of a Cinematographic Matrix (Editions 70, 2014). Published the book: Portuguese Cinema: Aesthetic Interceptions in the Decades of 60 to 80 of the 20th Century (Editions 70, 2016). He is a director of the Cinema and Audiovisual degree at the Superior School of Art of Porto, where he teaches curricular units: History of Portuguese Cinema, History of Cinema, Audiovisual Expression and Methodologies of Realization. He is an integrated researcher at the Arnaldo Araújo Research Center, vice president of the Association of Image Researchers in Motion and is a member of the organizing committee of the International Meeting of Cinema and Other Arts.