Anna Longo obtained her PhD in Aesthetics Philosophy at University Paris 1. She is a member of the Collège International de Philosophie (Paris). She has taught at the University Panthéon-Sorbonne and CalArts (Los Angeles) and is an instructor at the New Centre for Research & Practice. Her research crosses several fields such as metaphysics, epistemology, and aesthetics. She has been the author and editor of several books such as Le paradoxe de la finitude (2019); La genèse du transcendantal (2017); Breaking the Spell: Speculative Realism under Discussion (2015); Time without Becoming (2014), and Divenire della conoscenza: estetica e contingenza del reale (2013).
Reza Negarestani is a philosopher and writer. Since the early 2000s, he has contributed extensively to journals and anthologies and lectured at numerous international universities and institutes including MIT, HKW, Duke university, The New School, CUNY and École Normale Supérieure. Negarestani’s writings have been translated into more than thirteen languages. His latest philosophical work, Intelligence and Spirit (MIT press / Urbanomic, 2018), is an inquiry into the meaning of intelligence at the intersection of the future of humanity, artificial intelligence, philosophy of mind, theory of computation, and the philosophy of German Idealism. Negarestani’s most recent project focuses on worldmaking and the question of what it means to inhabit a world as what Wittgenstein would have called a lifeform.
Klaus Speidel is an academic philosopher, art critic and curator, who studied philosophy and art history in Munich (LMU) and Paris (École normale supérieure, Paris X Nanterre, Sorbonne). Beyond numerous academic publications on topics related to art, narrative, depiction, style, drawing and digital, Klaus writes on contemporary art and culture for international magazines like Spike, artpress, Art Newspaper, Parnass and Frankfurter Allgemeine Zeitung since 2006. In 2015, he received the AICA France Prize for Art Criticism. He curated exhibitions in Germany, Austria and France, was a guest on the Arte TV show « Philosophie » and a keynote speaker at different international events. From 2003 to 2006, Klaus was awarded an Sélection internationale scholarship from École normale supérieure and from 2006 to 2010 he held a doctoral grant from École normale supérieure and Sorbonne. In 2013, he completed his doctorate in philosophy at the Sorbonne with a dissertation on the possibilities and modalities of narration in single pictures. From 2015 to 2018, he headed the Lise-Meitner Postdoc research project “Towards an Experimental Narratology of the Image” at the Lab for Cognitive Research in Art History (CReA) at the University of Vienna.
Jason Bahbak Mohaghegh is Associate Professor of Comparative Literature at Babson College. His scholarly focus is upon tracking currents of experimental thought between the Middle East and the West, with particular attention to exploring the concepts of chaos, violence, illusion, silence, madness, futurism, disappearance, and apocalyptic aesthetics. He has published several books to date, including—The Chaotic Imagination: New Literature and Philosophy of the Middle East (Palgrave Macmillan, 2010); Inflictions: The Writing of Violence in the Middle East (Continuum, 2012), The Radical Unspoken: Silence in Middle Eastern and Western Thought (Routledge, 2013); Insurgent, Poet, Mystic, Sectarian: The Four Masks of an Eastern Postmodernism (SUNY, 2015); Elemental Disappearances (co-authored with Dejan Lukic; Punctum Books, 2016); Omnicide: Mania, Fatality, and the Future-In-Delirium (MIT Press/Urbanomic/Sequence, 2019); and Night: A Philosophy of the After-Dark (Zero Books, 2019). He is also the co-editor of the Suspensions book series with Bloomsbury Press, and the co-director of the 5th Disappearance Lab.
Jean-Pierre Caron is a philosopher and artist based in Rio de Janeiro, Brazil. His doctoral research, developed at both the University of Paris 8 Vincennes-Saint-Denis, and the University of São Paulo, proposed a critique of the aesthetic philosophy of John Cage in the context of contemporary ontology of art and philosophy of language. He is a lecturer in philosophy at the UFRJ (Universidade Federal do Rio de Janeiro) and he militates in the Circle of Studies of the Idea and Ideology (CSII)- an international political collective dedicated to examining the viability of the "communist hypothesis" today. He's been practicing noise and experimental music for more than 15 years and several of his records have been released, many through his own imprint, Seminal Records. Recently he's been working on the problem of generic organization as it appears in different fields, like art, science, and politics; and its relationship to scale-sensitivity.
Cécile Malaspina is the author of An Epistemology of Noise (Bloomsbury, 2018) and principal translator of Gilbert Simondon's On the Mode of Existence of Technical Objects, with the collaboration of John Rogove (University of Minnesota Press, 2017). She is directeur de Programme at the Collège International de Philosophie, Paris (Ciph), where she is also a member of the executive board. She is visiting fellow at King's College London, where her program for the Ciph is hosted by the departments of Digital Humanities and the Department of French, in association with the Centre for Art and Philosophy. She obtained her Doctorate in epistemology, philosophy and history of the sciences and technology from Paris 7 Denis Diderot and her Masters in contemporary French philosophy and critical theory from the Centre for Research in Modern European Philosophy (CRMEP) in the UK. Before turning to philosophy she trained as an artist, art historian (Goldsmiths) and curator (RCA). Her main interest lies in the normativity of concepts, especially with regard to the aesthetic and ethical implications of conceptualising contingency and uncertainty.
Mohammad Salemy is an independent Berlin-based artist, critic and curator from Canada. He holds a BFA from Emily Carr University and an MA in Critical Curatorial Studies from the University of British Columbia. He has shown his works in Ashkal Alwan's Home Works 7 (Beirut, 2015), Witte de With (Rotterdam, 2015) and Robot Love (Eindhoven, 2018). His writings have been published in e-flux, Flash Art, Third Rail, Brooklyn Rail, Ocula, Arts of the Working Class and Spike. Salemy's curatorial experiment For Machine Use Only was included in the 11th edition of Gwangju Biennale (2016). Together with Patrick Schabus, he forms the artist collective Alphabet Collection. Salemy is the Organizer at The New Centre for Research & Practice.
Rômulo Moraes is the Academic Coordinator of the New Centre-ESAP partnership. He is a Brazilian writer, sound artist, ethnographer and a PhD candidate in Music from the City University of New York (CUNY GC) with a Fulbright/CAPES scholarship. He holds a Master's in Communication and Culture from the Federal University of Rio de Janeiro. He is editor of &&& Journal and author of "Cocoons" (Kotter, 2019). He is currently researching phenomenologies of imagination, post-media maximalism, the intertwining of pop and the experimental, and the mining cosmopoetics.
Maria Eduarda Dias Neves
Theory and History
Academic Director of ESAP | Member of the Scientific Council
Arnaldo Araújo Studies Center (CEAA): Member of the Board | Research Group Critical Art and Studies - Responsible Researcher
Correspondence - Research, Exposition and Curatorial Project in the scope of research | https://semimagomundi.weebly.com/project.html | http://www.ceaa.pt/projeto/notas-sobre-a-europa-o-sono-dogmatico | https://tomatoproj.weebly.com/
Eduarda Neves is a professor of contemporary art theory and criticism, an area in which she has published various articles and books. She is also an independent curator. Her research and curatorial activity interweaves the fields of art, philosophy and politics. Since February 2019 she has collaborated on the journal “Contemporânea”. Her most recent books are: O Auto-retrato. Fotografia e Subjectivação. Lisboa: Ed. Palimpsesto | Ceaa, 2016 [shortlisted for the Pen Club award in the category of Essay, 2017] and in 2020, Nem-Isto-Nem-Aquilo. In 2021, 35 Degrees Celsius. Essays on contemporary art, from the same publisher. She is preparing publication of her next book Bestiaries. In other words, contemporary art.(2022) She holds a degree in Philosophy and a PhD in Aesthetics and is an Assistant Professor at ESAP. She has been researcher in charge of the research group Art and Critical Studies at CEAA since 2013. For the two year period 2019-2020, she has been a member of the Commission for the Acquisition of Contemporary Art for the Portuguese State’s collection. In 2021 she was a member of the Commission for Acquisition of Contemporary Art to the Porto Municipal Collection. Guest editor of #7 Contemporânea journal— Fotografia/Photography. (bilingual ed) December, 2021. She is currently director of the Escola Superior Artística do Porto - ESAP. + info
NR graduated in Sculpture at FBAUP/School of Fine Arts, University of Porto (1999), and holds an MFA in New Genres from the San Francisco Art Institute (2008). In 2011 he began a PhD research in Art at Goldsmiths College, University of London, and completed it at FBAUP/School of Fine Arts, University of Porto. Since 1999 he has been developing his work in the field of visual arts, individually and in collaboration with other artists, in areas such as drawing, installation, sculpture, performance, sound, video and curatorial practices. He has held 17 solo exhibitions, 5 of which in collaboration with fellow artists, and participated in over 60 group shows in Portugal, Brazil, Spain, USA, Norway, UK, Russia and Germany. He was the curator of 7 exhibitions, and since 2016 he is the programmer of the Portuguese video art and moving image screening project Playlist, held in Porto, with 42 shows produced and presented so far. Together with Isabel Ribeiro and Susana Chiocca, he was responsible for the Recursos Humanos / Human Resources programme, a series of talks dedicated to the public presentation and discussion of works and creation processes by artists, architects, designers and others. His work is represented in institutional collections such as CAV - Centro de Artes Visuais and the Serralves Museum of Contemporary Art, as well as in several private collections. In 2002 he was resident artist at Triangle France, Marseille, and in 2004 he was one of the nominees for the EDP Young Artists award in Portugal. Between 2006 and 2008 he was the recipient of a Fulbright scholarship, and the Louise Woods Memorial scholarship. He was also awarded a Calouste Gulbenkian Foundation Art Research grant between 2011 and 2015. From 2000 to 2005 he collaborated with the education program of the Serralves Museum of Contemporary Art. He was teaching assistant in the New Genres course at the San Francisco Art Institute in 2007, and in 2011 began teaching at the BFA in Photography program, ESAP - Porto Art School, where he leads a seminar on Portuguese video art since 2017. He lives and works in Porto and is represented by Graça Brandão gallery, Lisbon.
Nuno Ricardo Faleiro Rodrigues
Nuno Faleiro Rodrigues
Deputy Director of ESAP
CEAA | Arnaldo Araújo Research Center: Member of the Scientific Council | Group of Art and Critical Studies - Integrated Researcher
CEAA-Film in Contemporary Art
Nuno Faleiro Rodrigues is a lecturer at ESAP where he teaches in the Ba in Photography-Visual Arts and the MA in Visual Arts. In 2009 he completed his PhD at Middlesex University, London under the guidance of Professor Peter Osborne and Professor Éric Alliez. He has taught Critical Studies at Norwich University of the Arts and Metropolitan Cardiff University, UK. Between 2007 and 2009, he presented a series of seminars in art theory at Ar.Co, Lisbon, about art and repetition in the postwar period and art and aesthetics in the philosophy of Gilles Deleuze. He is an integrated researcher at the Arnaldo Araújo Research Center where he is a member of the Research Group on Art and Critical Studies. Currently, he is Deputy Director of ESAP.