Faculty

The Performance Studies post-graduation includes, besides its teachers, a significant set of guest lectures with recognized experience and academic and/or professional merit within contemporary art which, in 2017-18, includes: 

JOÃO TABARRA (Artist and teacher in HGK Karlsruhe University of Arts and Design, Karlsruhe, Germany);  JüRGEN BOCK (Curator, Critic and Director of the Study Independent Programme of Maumaus); TAMARA DIAZ BRINGAS (Researcher and General Curator of X Bienal de Centroamérica);FRANCISCO QUEIMADELA & MARIANA CALÓ (Visual Artists); LUCA ARGEL (Musician and writer);LORETO MARTINEZ TRONCOSO (Artist and performer); VALENTINE VERHAEGHE (Multimedia Artist); MATTHIEU RENAULT (Philosopher and teacher in Université Paris 8 - Vincennes, Saint-Denis);CHARLOTTE AGIUS (Art Curator - Malta); NUNO FALEIRO (Teacher and Researcher); SUSANA CHIOCCA (Artist and Performer); NUNO RAMALHO (Artist)


Full Name
Juan Luis Toboso Galindo

Professional Name
Juan Luis Toboso

Department
Visual Arts

Category
Invited Auxiliary Teacher

Acdemic Roles
Adjunct Director of the Academic Council

Research Units
Arnaldo Araújo Research Center: full member | Research group: Art and Critical Studies

Email
juan.toboso@esap.pt

ORCID
0000-00012-4603-8309

Webpages(s)
http://www.kultureland.com
https://esap-porto.academia.edu/juantoboso

Curriculum DeGois
9111352139586589

Curriculum

Researcher and curator in Contemporary Art. Living between Valencia, Spain and Porto, Portugal. PhD by the Faculty of Fine Arts of the Polytechnic University of Valencia. He is an assistant professor at ESAP, Escola Superior Artística do Porto. He is an Integrated Researcher at the Arnaldo Araújo Research Center, in the group of Research in Art and Critical Studies. In the field of cultural production he has collaborated with different institutions such as the Serralves Museum of Contemporary Art, the Calouste Gulbenkian Foundation and the Art and Architecture program of the European Capital of Culture, Guimarães 2012. Since 2004 he has been a member of several university research groups at the UPV in Valencia, and UFRGS in Porto Alegre, Brazil, for the development of international cooperation projects, based on the creation of nuclei of thought around new contemporary processes of artistic creation, as well as the investigation of new territories in production, criticism and diffusion of the plastic arts. He is the editor of the book, Infraestructuras emergentes, on the production, management and cultural diffusion. He has developed research on the relations between art, politics and society with an emphasis on spatial and performative arthritic practices. During 2017/18 was curator in residence of the Center of Contemporary Culture - Center del Carme.

Full Name
Maria Eduarda Dias Neves

Professional Name
Eduarda Neves

Department
Theory and History

Category
Auxiliary Teacher

Acdemic Roles
Academic Director of ESAP | Member of the Scientific Council

Research Units
Arnaldo Araújo Studies Center (CEAA): Member of the Board | Research Group Critical Art and Studies - Responsible Researcher

Current Projects
Correspondence - Research, Exposition and Curatorial Project in the scope of research

Email
eduardadn@gmail.com

ORCID
0000-0003-1906-1957

Webpages(s)
https://esap-porto.academia.edu/EduardaNeves
https://www.facebook.com/profile.php?id=100011446524503
http://correspondencias.weebly.com/
http://pdgartes.weebly.com/
https://semimagomundi.weebly.com/project.html
https://hors-serie.weebly.com/

Curriculum DeGois
4651701144190331

Curriculum

Degree in Philosophy and PhD in Aesthetics. Assistant Professor, ESAP. Principal Investigator of the ​​​Art and Critical Studies Research Group, ​CEAA, since 2013.Independent Curator. Her research and curatorial activity crosses the fields of art, philosophy and politics. Conceived the following projects: A FEW REASONS FOR A NON-DISMISSIVE ART[2014-2015] and CORRESPONDENCES [2016-17], presented in Portugal, Spain, Germany and Malta, with the support of DGARTES / Portuguese Ministry of Culture.  Curator of element EARTH in the exhibition project QUATRO ELEMENTOS  / FOUR ELEMENTS, Galeria Municipal, Oporto [2017]. Recent curatorial projects: FAULT LINE(Casa dos Crivos and Convento de São Francisco) and A ALGUNS PASSOS COMO SE ESTIVESSE MUITO LONGE, ENCONTROS DA IMAGEM, Braga and Oporto [2017]; A.A.R., Espaço Mira (Oporto) and HORS-SÉRIE, in EX14 (Dresden), IZOLYATSIA (Kiev), KUB (Leipzig), CENTERCOURT (Munich), LLLLLL (Vienna), FOLIE SANDRIN and VILLA BELLEVILLE (Paris) [2018]. SEM IMAGO MUNDI, ANTES UM DESVIO ALEATÓRIO, (Oporto),[2018]. Last book published: O AUTO_RETRATO. FOTOGRAFIA E SUBJECTIVAÇÃO[SELF-PORTRAIT. PHOTOGRAPHY AND SUBJECTIVATION]. Lisbon: Ed. Palimpsesto | CEAA, 2016 [short listed at the PEN CLUB prize, in the Essay category, 2017]. Preparing the book BESTIÁRIOS. ENSAIOS SOBRE ARTE CONTEMPORÂNEA [BESTIARIES. ESSAYS ON CONTEMPORARY ART]. She is currently the director of ESAP – Oporto Art School.

Full Name
Pedro Miguel dos Santos Rocha

Professional Name
Pedro Rocha

Department

Category
Invited Auxiliary Teacher

Email
pedrosanrocha@gmail.com

ORCID
.

Webpages(s)

Curriculum DeGois
None

Curriculum

Born in Porto, graduated in Food Engineering from the Catholic University's Biotechnology School in 1996. In 2009, he completed the first year of the Master's Degree in Artistic Studies - Theory and Criticism of Art from the Faculty of Fine Arts of University of Porto. Since 1998 he has been active in the area of ​​curating music and other artistic practices related to sound, his main activity being the collaboration with the Serralves Museum of Contemporary Art. Serralves' first program for which he contributed as a programmer was in 1999 at the time of the inaugural exhibition of the museum, "Circa 1968". In 2001, he assumed the position of music programmer of this institution being responsible for the choices and participating in the production of the annual music program and the musical component of the festival "Serralves em Festa". In this scope, he was also a co-programmer of the Performative arts festival Trama, of the cycle Documente-se! And more recently, "The Museum As Performance". Since 1998 he has developed several projects in the field of solo and collaborative djing, usually exploring experimental music and electronics in different contexts such as radio, bars and clubs, galleries and performances. In 2014, he began his collaboration as a curator of guest music at the Pirelli Hangar Bicocca art center in Milan.

Full Name
Susana Chiocca de Almeida Duarte

Professional Name
Susana Chiocca

Department

Category
Invited Auxiliary Teacher

Email
susanachiocca@gmail.com

ORCID
.

Webpages(s)
http://chiocca.wix.com/susanachiocca

Curriculum DeGois
None

Curriculum

Susana Chiocca. Lisbon, 1974. PhD in Contemporary Art / Performance by the Faculty of Fine Arts of Cuenca (Universidad Castilla-La Mancha) in 2016 - investigation around the mask in its relationship with performance. She graduated in Sculpture from the Faculty of Fine Arts of the University of Porto in 1999. Professor of the courses of New Artistic Behaviors at the Faculty of Fine Arts in Cuenca (2016) and Performance at the Balleteatro Professional School (2010-2012). Organized some exhibitions and events of which space highlights the Hall, dedicated to the presentation of performances (2006-2010), created together with António Lago. He has participated in several exhibitions, events and workshops.