Cinema and Audiovisual

Bachelor and Master in History of Art by the Faculty of Arts of the University of Porto. Doctorate in Architecture (Program Problems of Architecture and modern city: theory, history, projects) by ETSA of the University of Valladolid. She has been a professor at ESAP since 1986. She is Coordinator of the Autonomous Section of Theory and History and Vice-President of the Scientific Council of ESAP. He has been developing research in the field of Theory and History of Architecture and History of Photography, and it is worth mentioning the participation in two completed FCT projects: Photography, Modern Architecture and the "Oporto School": Interpretations around the Teófilo Rego Archive (2013-2015) as responsible researcher, and Modernismos do Sul (2014-2015), as a member of the research team.

Filmmaker graduated from La Femis, Paris. Bachelor by the University of Paris III, Sorbonne. Was selected for Cannes Film Festival - Cinéfondation section, with Gaia (2004) and Cinema du Réel, with Circa Me (2002). Made films in collaboration, such as A Cultura do Capital (2003) or Traveling 70'-76 '(2007) and the video installation A Colher (2010), presented in the context of the projects All my independent women and A Question of Gender. Was assistant of Paulo Rocha, Ricardo Leite and Saguenail and assistant assembly of Boris Lehman. Also collaborated with creators from several areas: Ana Deus, Balla Prop, Yasmine Hugonnet, Alejandra Sol, João Costa, Igor Gandra, Joana Providência, João Alves, PAM, Ângelo de Sousa and Dan Graham (for a film presented at the Bienal de S. Paulo). Between 2005 and 2013 collaborated with  Serralves Museum in the assembly of audiovisual works and production of cinema cycles. Program sessions and cycles of Cinema in alternative spaces of OPorto. Taught Cinema and Video at FEUP and at  Lusófona University of OPorto. Doctorate (scholarship FCT) with investigation in the amateur cinema produced during the Portuguese revolution. Participated in Estado Novo and the Image, parallel to the exhibition Beyond the Ucronia - unpublished stories of the 25 of April, org. Museum of Neo-Realism and Révolution et cinéma: l'exemple portugais, Institut National d'Histoire de l'Art, Paris. Participated in 2014 in the project Some reasons for a non-demissionary art (cur Eduarda Neves) and in 2016-17 in the series of exhibitions Correspondences (Cur Eduarda Neves).exhibitions Correspondências (cur. Eduarda Neves).

Henrique Muga. Degree in Psychology (University of Porto, 1986), Master in Social Psychology (University of Porto, 1998), and PhD in Social Sciences - research line Psychology of Art (Universidade Fernando Pessoa, 2015). He has taught at ESAP since 1987. He is the author of several articles and books in the field of architecture and cinema. He coordinated, in partnership with Porto Lazer, the project "Urban Art - Intervention in Boxes of Electricity", Largo de S. Domingos. He was Chairman of the Pedagogical Council and Deputy Director of the Board of Directors. He is currently integrates CESAP`s Direction.

Isolino Alves de Sousa, Communication Sciences graduate at the Fernando Pessoa University, advanced studies diploma at the University of Santiago de Compostela, master's degree from the University of Minho and, at the moment, a PhD in Media Art. More than 30 years of television work, as a producer, director and programmer at RTP, he is still involved in several television projects in Portugal in various functions. I have been teaching since 1999 in several higher schools and since 2004 I have lectured at ESAP, accumulating, as of 2010, the Director of the ESAP Cinema Course. In this role we have participated in national and international festivals, we have developed other activities that aim to promote the cinema, and promote ESAP and its students.

Licenciado em Cinema e vídeo, Ivo Reis, visual artist, apresenta  ANIMATEK como o exoesqueleto de performance e pensamento criativo.  A sua linguagem compreende gêneros como o cinema sensorial, o vídeo mapping, cinema documental, a ficção e performance audiovisual.  A sua inspiração vem do fascínio pela luz, pela forma como ela se move e define no espaço, com nuances de temperatura, cor e sensações que viajam através do tempo e abrigam a memória.  No universo do cinema, audiovisual e novos mídias, evoluiu para aplicações práticas e multidisciplinares de contrastes, fusão e complemento. A recriação de imaginários imersivos, provém de experiências vividas com diferentes ligações culturais e geográficas,  num campo de visão transdisciplinar e intercultural.  É neste campo que as suas ideias ganham contornos de expressão, forma e mensagem. Assumem-se como ferramentas de interpretação e extensão transcultural, resultado da pesquisa etnográfica com a dinâmica de laboratório digital.

Graduated in law from U.C and fellow of DAAD Berlinner Kunstlerprogramm. His films have premiered at the most important festivals in the world and have had commercial exhibitions in France, Germany, Belgium ... He has been Secretary General of APCA - Association of Film and Audiovisual Producers since 2017. Author of the Spanish and Ibero-American Dictionary of Cinema, under the direction of João Bénard da Costa. Manoel de Oliveira, João César Monteiro, Werner Scheroeter, producer of Abi Feijó, Manoel Mozos, Rob Rombout ... Produced: The Pool, 16 ', 35mm - Bienale di Venezia, Corto Cortíssimo, Alfama, 16', 35mm, Clermond Ferrand, Competition, Tabatô, 13 ', DCP, DAAD Best Short Film Prize 63rd Berlin, The Battle of Tabatô, 85', DCP, Special Mention Best First Feature Award 63rd Berlin, Our Madness, 90 ', DCP, Cinefondation, 68rd Cannes.

Master in Audio-visual Production and Directing (with 20 values), with Title of Specialist in Audio-visual Production and Media, and the course of Television Operator at RTP (Lisbon), José Miguel Moreira is an Assistant teacher at ESMAD, in the Master of Audio-visual and Communication, and also at TCAV Degree. He is also a Visiting Professor at ESAP's Cinema and Audio-visual Degree.

As Screenwriter, Director and Editor, he has screened his films in over 60 national and international film festivals, having won over a dozen awards, either as a screenwriter (Spain, 2002 and 2003), or with the fictions he directed (Videograndprix Grand Prix, 2012; Farcume Grand Prix, 2014, etc.).

In other activities, he provides several film and audio-visual workshops, and was jury in many film festivals (the most recent, at the ÉCU 2019, in Paris).

He has just premiered his last short film, “Dirty Carnival”, at the Avanca International Festival competition, 2019, a film he had wrote, directed and edited, currently touring national and international festivals, and with the assured screened at RTP television.

Liliana Rosa. PhD (2017) and MA (2009) in Communication Sciences, specializing in Cinema and Television, at Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (NOVA FCSH). BA (2007) in Multimedia Design, at Escola Superior de Artes e Design de Caldas da Rainha (ESAD CR). Professor at Escola Superior Artística do Porto (ESAP). Integrated researcher of the Nova Institute of Philosophy (IFILNova) / Laboratory of Cinema and Philosophy (CineLab), at Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (NOVA FCSH). Member of the Organizing Committee of the International Meetings: Cinema and other Arts; Cinema, Philosophy and Children's World. Member of the editorial team of artciencia.com, Revista de Arte, Ciência e Comunicação.

M. F. Costa e Silva. Bachelor in Cine-Vídeo (ESAP, 1984) and Graduated in Multimedia Educational Communication (Polytechnic of Santarém, 1992). He has taught at ESAP since 1988. He was Academic Director and coordinator of the Cinema and Audiovisual Course at ESAP; is a film director, having written and performed the following films: "The Return of the Man Who Did not Like to Leave Home" (1996), "The First Time" (2002), "A Time Reencontrado" (2004), "Panoias "(2007)," 1111 "(2012) and" Dying of Love "(2016). He represented Portugal at several film festivals in Europe and Asia. He was a jury of Film Festivals in Portugal, Spain, Italy, Ukraine, Russia, Romania. He has conducted workshops and Masterclass in Spain (Ourense), Slovenia (Maribor), Estonia (Tallinn), Lithuania (Vilnius), Bulgaria (Sofia), Russia (Ekaterinburg) Cuba (San Antonio de los Baños) and Japan (Tokyo). Since 2010 he has been a judge of the Institute of Cinema and Audiovisual (ICA). He currently holds the position of President of the Board of Directors of CESAP - Cooperativa de Ensino Superior Artistico do Porto.

Maria de Fátima Alves Sales Varão. Degree in History - Archeology (University of Porto, 1986). PhD in Architecture, with Thesis Januário Godinho in Portuguese Architecture or the other face of modernity (Modern Architecture and Restauration program, University of Valladolid, 2001). Fellow of FCT, program PRAXIS XXI (1995-1999). Lecturer at ESAP (since 1987), currently teaching at the Integrated Master's Degree in Architecture and Visual Arts Licenciatura Photography, Intermediate Plastic Arts, Audiovisual Cinema, Multimedia Communication Design and Theater. Coordinator of the Autonomous Section of Theory and History (2010/2012). Researcher at CEAA (UI & D 4041 of FCT) and coordinator of the Modern Architecture theme - preservation and dissemination. IR of the Group of Theory, Critics, History and Practices of Contemporary Art of CEAA (2010/2012).

Graduated in cinema at Escola Superior Artística do Porto (2004). He obtained a Diploma in Advanced Studies (2008) at the Faculty of Fine Arts of the University of Vigo. Master in Artistic Studies (2010) by the Faculty of Fine Arts of Porto and PhD by the Faculty of Fine Arts of the University of Vigo (2015). He has published several articles in magazines dedicated to film studies, having coordinated the book: Manoel de Oliveira - Aesthetic Analysis of a Cinematographic Matrix (Editions 70, 2014). Published the book: Portuguese Cinema: Aesthetic Interceptions in the Decades of 60 to 80 of the 20th Century (Editions 70, 2016). He is a director of the Cinema and Audiovisual degree at the Superior School of Art of Porto, where he teaches curricular units: History of Portuguese Cinema, History of Cinema, Audiovisual Expression and Methodologies of Realization. He is an integrated researcher at the Arnaldo Araújo Research Center, vice president of the Association of Image Researchers in Motion and is a member of the organizing committee of the International Meeting of Cinema and Other Arts.