Cinema and Audiovisual

Bachelor and Master in History of Art by the Faculty of Arts of the University of Porto. Doctorate in Architecture (Program Problems of Architecture and modern city: theory, history, projects) by ETSA of the University of Valladolid. She has been a professor at ESAP since 1986. She is Coordinator of the Autonomous Section of Theory and History and Vice-President of the Scientific Council of ESAP. He has been developing research in the field of Theory and History of Architecture and History of Photography, and it is worth mentioning the participation in two completed FCT projects: Photography, Modern Architecture and the "Oporto School": Interpretations around the Teófilo Rego Archive (2013-2015) as responsible researcher, and Modernismos do Sul (2014-2015), as a member of the research team.

Filmmaker graduated from La Femis, Paris. Bachelor by the University of Paris III, Sorbonne. Was selected for Cannes Film Festival - Cinéfondation section, with Gaia (2004) and Cinema du Réel, with Circa Me (2002). Made films in collaboration, such as A Cultura do Capital (2003) or Traveling 70'-76 '(2007) and the video installation A Colher (2010), presented in the context of the projects All my independent women and A Question of Gender. Was assistant of Paulo Rocha, Ricardo Leite and Saguenail and assistant assembly of Boris Lehman. Also collaborated with creators from several areas: Ana Deus, Balla Prop, Yasmine Hugonnet, Alejandra Sol, João Costa, Igor Gandra, Joana Providência, João Alves, PAM, Ângelo de Sousa and Dan Graham (for a film presented at the Bienal de S. Paulo). Between 2005 and 2013 collaborated with  Serralves Museum in the assembly of audiovisual works and production of cinema cycles. Program sessions and cycles of Cinema in alternative spaces of OPorto. Taught Cinema and Video at FEUP and at  Lusófona University of OPorto. Doctorate (scholarship FCT) with investigation in the amateur cinema produced during the Portuguese revolution. Participated in Estado Novo and the Image, parallel to the exhibition Beyond the Ucronia - unpublished stories of the 25 of April, org. Museum of Neo-Realism and Révolution et cinéma: l'exemple portugais, Institut National d'Histoire de l'Art, Paris. Participated in 2014 in the project Some reasons for a non-demissionary art (cur Eduarda Neves) and in 2016-17 in the series of exhibitions Correspondences (Cur Eduarda Neves).exhibitions Correspondências (cur. Eduarda Neves).

Andreia Saraiva Santos. Graduated in Cinema - Direction (Escola Superior de Teatro e Cinema, 2008). Cinema Bachelor - Cinematography (ESTC and FAMU, FILM AND TV SCHOOL OF AMU Prague, Czech Republic, 2005). In 2007 she began her profession as a Cinematographer, signing several short films, such as "João e o Cão" by André Marques premiered at the Berlin International Film Festival 2008 and "Shoot Me" by André Badalo which in 2010 was awarded at the MIFF AWARDS (Milano International Film Festival). In 2010 the doc. TV Series “Brasil, Portugal, Lá e Cá” by Laine Milan is exhibited on RTP (Portugal) and TV Cultura (Brazil) TV Channels. In 2017 is invited to be a member of AIP Cinema (Portuguese Image Association). In recent years has signed the Cinematography of several feature films, working with the directors, Manuel Mozos and Vicente Alves do Ó. "Portugal Is Not for Sale" by André Badalo, 2019, is exhibited and distributed by NOS. In 2019 she was nominated for the best Cinematography by

the ADF (Authors of Argentine Film Photography) with "Choose to Love More", a film campaign the Directorate-General of Health (DGS). In 2018 she is invited to be a teacher. In 2020 she began teaching at ESAP.

Henrique Muga. Degree in Psychology (University of Porto, 1986), Master in Social Psychology (University of Porto, 1998), and PhD in Social Sciences - research line Psychology of Art (Universidade Fernando Pessoa, 2015). He has taught at ESAP since 1987. He is the author of several articles and books in the field of architecture and cinema. He coordinated, in partnership with Porto Lazer, the project "Urban Art - Intervention in Boxes of Electricity", Largo de S. Domingos. He was Chairman of the Pedagogical Council and Deputy Director of the Board of Directors. He is currently integrates CESAP`s Direction.

Isolino Alves de Sousa, (Ph. D), Doctorate in Media Art (2018) by Lusofona University of Oporto, Master´s degree in Comunication Science (television studies) and bachelor´s degree in Comunication Science.

More than 40 years of work in television as a producer, director and programmer at RTP, beeing envolved in various television projects in Portugal. He has developed teaching activity since 1998 in several high schools and since 2000 in ESAP as a professor in the Film and Audiovisual Degree and in the Masters in Film and Television Directing at ESAP.

Takes part in the organization os MIFEC, Interbational Film School exibition since 2008. In this role has been taken part in national and international festivals and developping other activities that aim to disclose the cinema and television and to promote ESAP.

Licenciado em Cinema e vídeo, Ivo Reis, visual artist, apresenta  ANIMATEK como o exoesqueleto de performance e pensamento criativo.  A sua linguagem compreende gêneros como o cinema sensorial, o vídeo mapping, cinema documental, a ficção e performance audiovisual.  A sua inspiração vem do fascínio pela luz, pela forma como ela se move e define no espaço, com nuances de temperatura, cor e sensações que viajam através do tempo e abrigam a memória.  No universo do cinema, audiovisual e novos mídias, evoluiu para aplicações práticas e multidisciplinares de contrastes, fusão e complemento. A recriação de imaginários imersivos, provém de experiências vividas com diferentes ligações culturais e geográficas,  num campo de visão transdisciplinar e intercultural.  É neste campo que as suas ideias ganham contornos de expressão, forma e mensagem. Assumem-se como ferramentas de interpretação e extensão transcultural, resultado da pesquisa etnográfica com a dinâmica de laboratório digital.

Graduated in law from U.C and fellow of DAAD Berlinner Kunstlerprogramm. His films have premiered at the most important festivals in the world and have had commercial exhibitions in France, Germany, Belgium ... He has been Secretary General of APCA - Association of Film and Audiovisual Producers since 2017. Author of the Spanish and Ibero-American Dictionary of Cinema, under the direction of João Bénard da Costa. Manoel de Oliveira, João César Monteiro, Werner Scheroeter, producer of Abi Feijó, Manoel Mozos, Rob Rombout ... Produced: The Pool, 16 ', 35mm - Bienale di Venezia, Corto Cortíssimo, Alfama, 16', 35mm, Clermond Ferrand, Competition, Tabatô, 13 ', DCP, DAAD Best Short Film Prize 63rd Berlin, The Battle of Tabatô, 85', DCP, Special Mention Best First Feature Award 63rd Berlin, Our Madness, 90 ', DCP, Cinefondation, 68rd Cannes.

Studied in ESAP Porto from 1995-1998 and 2001-2002 completing the Degrees in "Cine-Video" and "Arte e Comunicação". He also studied Sound Studies in ESCAC, Barcelona (1998-2001).

He is a Lecturer at ESAP since 2001, Porto, and Guimarães (2008-2012).

Lecturer at Instituto Multimédia since 2001, Porto.

Founder of Ourafilmes (Audio, Film and Video Production) in 1997 and Speaker Blower Records in 2007.

Sound Design, Recorder, Editor, Mixer and/or Post-Production of dozens of short/medium/long films in Portugal and Spain since 1999.

Creator of VST instruments and effects since 2005.

Recorder and Producer of Music/Sound as Dr. Speaker Blower since 1998.

Master in Audio-visual Production and Directing (with 20 values), with Title of Specialist in Audio-visual Production and Media, and the course of Television Operator at RTP (Lisbon), José Miguel Moreira is an Assistant teacher at ESMAD, in the Master of Audio-visual and Communication, and also at TCAV Degree. He is also a Visiting Professor at ESAP's Cinema and Audio-visual Degree.

As Screenwriter, Director and Editor, he has screened his films in over 60 national and international film festivals, having won over a dozen awards, either as a screenwriter (Spain, 2002 and 2003), or with the fictions he directed (Videograndprix Grand Prix, 2012; Farcume Grand Prix, 2014, etc.).

In other activities, he provides several film and audio-visual workshops, and was jury in many film festivals (the most recent, at the ÉCU 2019, in Paris).

He has just premiered his last short film, “Dirty Carnival”, at the Avanca International Festival competition, 2019, a film he had wrote, directed and edited, currently touring national and international festivals, and with the assured screened at RTP television.

Liliana Rosa. Ph.D (2017) and MA (2009) in Communication Sciences, specializing in Cinema and Television, at Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (NOVA FCSH). BA (2007) in Multimedia Design, at Escola Superior de Artes e Design de Caldas da Rainha (ESAD CR). Invited Assistant Professor of Cinema in the Theater and Cinema Department of the Escola Superior Artística do Porto and Invited Assistant Professor of Cinema at Escola Superior de Tecnologia de Abrantes (ESTA), Instituto Politécnico de Tomar (IPT). Integrated researcher of the Nova Institute of Philosophy (IFILNova) / Laboratory of Cinema and Philosophy (CineLab), at Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (NOVA FCSH). As one of the founders and co-organizers of the International Meeting Cinema and other Arts, held annually at the University of Beira Interior (UBI), she is also co-coordinator of the Working Group “Cinema and other Arts” of the Association of Researchers of the Moving Image (AIM). She is one of the founders and co-organizers of the International Conference Cinema, Philosophy and… held at NOVA FCSH. Author of Tragédia e Contemporaneidade no cinema de João Canijo. Co-editor of the various volumes Cinema e Outras Artes: Diálogos e Inquietudes Artísticas.

Master’s degree in Contemporary Artistical Practices (FBAUP), with artistic project and theoretical research in the auteur cinema field, Licenciate’s degree in Art and Communication – Audiovisual and Bachelor’s degree in Film and Video (ESAP). Lectures at ESAP the curricular units of Cinematography and Audiovisual Laboratory II, in the Cinema and Audiovisual licenciate’s degree. Lecturer of Cinema and Video at Soares do Reis School of Arts. Director of 117 films (short and long form). 1 Best Short Film Award (Bragacine ‘2017), 5 Honorable Mentions (Directing). Multiple official selections and nominations (Best Film, Best Directing) in more than 80 participations at national and international film and video festivals. 6 short films released commercially. Founder of the film production companies Miranda Filmes and Hiperfocal Filmes. Holds 689 credits in film and vídeo production.

M. F. Costa e Silva. Bachelor in Cine-Vídeo (ESAP, 1984) and Graduated in Multimedia Educational Communication (Polytechnic of Santarém, 1992). He has taught at ESAP since 1988. He was Academic Director and coordinator of the Cinema and Audiovisual Course at ESAP; is a film director, having written and performed the following films: "The Return of the Man Who Did not Like to Leave Home" (1996), "The First Time" (2002), "A Time Reencontrado" (2004), "Panoias "(2007)," 1111 "(2012) and" Dying of Love "(2016). He represented Portugal at several film festivals in Europe and Asia. He was a jury of Film Festivals in Portugal, Spain, Italy, Ukraine, Russia, Romania. He has conducted workshops and Masterclass in Spain (Ourense), Slovenia (Maribor), Estonia (Tallinn), Lithuania (Vilnius), Bulgaria (Sofia), Russia (Ekaterinburg) Cuba (San Antonio de los Baños) and Japan (Tokyo). Since 2010 he has been a judge of the Institute of Cinema and Audiovisual (ICA). He currently holds the position of President of the Board of Directors of CESAP - Cooperativa de Ensino Superior Artistico do Porto.

Maria de Fátima Alves Sales Varão. Degree in History - Archeology (University of Porto, 1986). PhD in Architecture, with Thesis Januário Godinho in Portuguese Architecture or the other face of modernity (Modern Architecture and Restauration program, University of Valladolid, 2001). Fellow of FCT, program PRAXIS XXI (1995-1999). Lecturer at ESAP (since 1987), currently teaching at the Integrated Master's Degree in Architecture and Visual Arts Licenciatura Photography, Intermediate Plastic Arts, Audiovisual Cinema, Multimedia Communication Design and Theater. Coordinator of the Autonomous Section of Theory and History (2010/2012). Researcher at CEAA (UI & D 4041 of FCT) and coordinator of the Modern Architecture theme - preservation and dissemination. IR of the Group of Theory, Critics, History and Practices of Contemporary Art of CEAA (2010/2012).

Graduated in cinema at Escola Superior Artística do Porto (2004). He obtained a Diploma in Advanced Studies (2008) at the Faculty of Fine Arts of the University of Vigo. Master in Artistic Studies (2010) by the Faculty of Fine Arts of Porto and PhD by the Faculty of Fine Arts of the University of Vigo (2015). He has published several articles in magazines dedicated to film studies, having coordinated the book: Manoel de Oliveira - Aesthetic Analysis of a Cinematographic Matrix (Editions 70, 2014). Published the book: Portuguese Cinema: Aesthetic Interceptions in the Decades of 60 to 80 of the 20th Century (Editions 70, 2016). He is a director of the Cinema and Audiovisual degree at the Superior School of Art of Porto, where he teaches curricular units: History of Portuguese Cinema, History of Cinema, Audiovisual Expression and Methodologies of Realization. He is an integrated researcher at the Arnaldo Araújo Research Center, vice president of the Association of Image Researchers in Motion and is a member of the organizing committee of the International Meeting of Cinema and Other Arts.